"Kiat" is a word in CEBUANO
kiat a {1} restless and inclined to rowdy or bouncy actions.
Nagsáyaw sila inubanan sa kiat nga tugtug, They danced to the bouncy music.
Kiat ka man kaáyu dì nadam-ag, You jump about all the time so you slipped and fell.
{1a} immodestly forward toward men.
Dalì makúhà ang babáying kiat, One easily gets a loose woman.
{2} doing s.t.
carelessly because ones attention jumps to other matters.
Wà magkadimáu paglútù kay kiat man kaáyu, The dinner came out awful because she was so careless and heedless.
v [B] get to be rowdy, unreserved in manners or restlessly inattentive.
{a} get to be immodest, unreserved to-wards men.
Nakiat siya tungud sa íyang pagkuyugkúyug ánang taga Manílà, She has become immodest due to her association with that girl from Manila.
{b} be intensely restless, careless or immodest.
Mikíat lang paglakaw, binyáan ang dinung-ag, She just walked o?
without thinking what she was doing, leaving the food on the fire.
I don't know how you hear music. I imagine that if you like music at all then it has, in your head, some kind of third dimension to it, a dimension suggesting space as well as surface, depth of field as well as texture.Speaking for myself, I used to hear "buildings"... three-dimensional forms of architectural substance and tension. I did not "see" these buildings in the classic synaesthetic way so much as sense them. These forms had "floors", "walls", "roofs", "windows", "cellars". They expressed volume. Music to me has always been a handsome three-dimensional container, a vessel, as real in its way as a Scout hut or a cathedral or a ship, with an inside and an outside and subdivided internal spaces.I'm absolutely certain that this "architecture" had everything to do with why music has always exerted such a hold over me. I think music was the structure in which I learned to contain and then examine emotion.
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